PANEL IN ENGLISH

Music in museums, exhibitions, pop up venues, centres of the performing arts, public theatres: more experimental music, from special multi arts performances and rather arty-farty music seems to live in those spaces that provide infrastructure and funding. Then there’s what’s sitting in between the chairs: Jazz seems to break off its standards and particularly neo-classic enjoys lately wider attention. But how does that apparently parallel world (to the cruel neo liberal pop market) work? Who are the players and what are the market’s logics? What do programmers look for and what the timings?

HOST:

Chiara Colli – Music Editor, Edizioni Zero (IT)